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Social attitudes Prejudice Violence. Category Portal. Film genres. E infinitamente struggenti le parole di Arthur, che sconta da vivo una condanna a morte, che cerca nell'abbraccio di Vincent una panacea per gli orrori della guerra. Una scrittura bellissima, uno stile grandissimo che si accompagnano a delle scelte narrative azzeccatissime: la narrazione in prima persona di Vincent, che si rivolge con la seconda persona ora a Proust ora ad Arthur, cui segue una sezione epistolare.
Si touchant. View all 4 comments. J'ai rarement lu des descriptions de relations ou de sentiments humains aussi parfaites. Une fois de plus, j'ai presque envie de relire le livre avec un carnet en main pour prendre en note certaines phrases. Le texte est un vrai bijou.
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This review has been hidden because it contains spoilers. To view it, click here. Un giovane bellissimo, smaliziato, nobilissimo nei modi. Vincent lo ricambia con assoluto, totale trasporto: nelle sei notti che separano Arthur da una nuova partenza, fa di tutto per lenire le ferite nell'animo dell'amante. Ha dalla sua "la ragione dei suoi sedici anni".
Nel rapporto tra l'intellettuale e il ragazzo verrebbe scontato tirare in ballo "La morte a Venezia" di Mann, ma siamo su livelli e approcci completamente differenti. La seconda parte del libro assume le forme di romanzo epistolare. Si rende conto di amare davvero Arthur e che la sua assenza lo logora, lo distrugge. Arriva al punto da parlare alla madre di lui per cercare di riafferrarne un pezzetto.reminder.regexbyte.com/libraries/angelina/1313-wieczory-dla.php
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La lettera arriva a destinazione troppo tardi, un giorno dopo la morte di Arthur. Con grande tatto e immensa grazia racconta l'amore, in ogni sua declinazione. Magistrali gli incontri fra Vincent e Arthur, fra i loro corpi e le loro anime. Un ricordo consolante, ma pur sempre sull'orlo del vuoto. Anche morire d'amore. Je crois que la vie est plus forte. La plus belle histoire que j'ai lue depuis bien longtemps Je le relirai encore, sans aucun doute.
Eher ein Jugendbuch. Le silence, d'ailleurs, qui occupe une place primordiale dans ce texte, un silence qui exprime beaucoup de mots. Par contre, n'y cherchez point d'action ou de rebondissement, car ce roman, c'est un roman de paroles, de mots, de silences, de confidences. La plume de l'auteur me fascine. Ici, sa plume est confidentielle, profonde, sensuelle, sensible, tout autant que dure, percutante, tranchante. Another masterful work from one of France's leading authors, Philippe Besson's marvelous story of parallel relationships at a time when the world has gone mad.
The hero, Vincent de l'Etoile, is 16 years old in , living the insulated life of Parisian aristocracy. He is too young to be conscripted into the war ravaging Europe, which has stripped the city of most of its young male population. The family's housekeeper has a son, Arthur, 21 and home on a one-week leave. Arthur and Vinc Another masterful work from one of France's leading authors, Philippe Besson's marvelous story of parallel relationships at a time when the world has gone mad.
Arthur and Vincent have a blazing idyllic romance during this hiatus, pledging themselves heart, soul and body to one another. At the same time, Vincent has begun an intense friendship with none other than Marcel Proust, all of 45, celebrated, famous, yet oddly drawn to the effete, nearly withdrawn Vincent.
The novel alternates chapters between these two remarkable relationships, one deeply intellectual, the other erotic and spiritual. Both are deeply shaped by the war, and, of course, Vincent's position of extreme privilege. He has no chance of being drafted, no wish to volunteer when he's of age, and no need to concern himself with the horrors taking place within a day's distance from Paris. The first book of the novel is the unfolding of the two relationships, with Proust and with Arthur.
Besson structures these as recalled conversations, a very Proustian construct. The next section become epistolary, as both men are removed from Paris, and each relationship is replaced by letters. There's perhaps too much time given over to descriptions of the luscious, blooming aristocrat.
How many times do we need to be reminded of his green eyes and thick black hair? Or that he is 16, which carries a creepy undertone for the modern reader. I mean, I knew I was gay when I was 16, but I certainly was not yet undertaking bold romantic liaisons in my parents' home. Despite the lush setting, and the war in the background, there are times when it's all more than a bit twee.
The sexual encounters are quite graphic, near soft-core porn, but still cast in the flattering pink light of a romance novel. The third section switches tone yet again; I can tell you no further. But the story grabs hold of your heart, as both relationships assume their ultimate shape.
The ending, while again a bit over-wrought, is very affecting. One more entry in Important Gay Fiction. Shelves: french-edition , c20th , france , gaylit-lgbtiq. It has taken me ages and ages to read this book because it was a handbag book: I read it in coffee shops, in waiting rooms and on trains. I read it that way because I read the French edition, and I wanted to stop myself from consulting the dictionary every time I was stuck for a word. And even though this means I mainly read it at plot level and probably missed some of its nuances, I still loved reading it because it is a beautiful book.
Do It has taken me ages and ages to read this book because it was a handbag book: I read it in coffee shops, in waiting rooms and on trains. Doomed because the story is set during WW1 when Vincent is 16, and his first love, Arthur, is destined for the carnage on the battlefront.