But what can the depiction of tourism in cinema teach us?
And what might the added value be? Herein lies a final methodological and epistemological issue.
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To answer these questions, which it is possible and even desirable to combine and interlink,proposals are welcome from all disciplines and for films from any era or country. Overly monographic approaches are to be avoided and analyses of cinematographic corpuses are preferred over isolated works.
- A Rising Darkness (The Hand of Justice Book 1);
Film-induced Tourism. Images Across Borders. Lausanne: Ed. The cinematic tourist: explorations in globalization, culture, and resistance. London: Routledge. TATI J. Proposals have to be sent electronically before February the 28th to the following e-mail addresses: redaction[at]viatourism. Via Tourism Review.
Appels clos. The results show that only by understanding the needs and wants of film location tourists can film be utilised as a successful and sustainable instrument within strategic destination marketing portfolios. Stefan Roesch has worked in the tourism industry for over fifteen years and is currently Deputy Managing Director for CenTouris, a market research and tourism consulting institute based at the University of Passau, Germany. He is also a freelance consultant in film tourism, an area he has been researching for ten years. He regularly speaks at international conferences and advises the industry on how to utilise film for marketing strategies.
In , Stefan founded the film production company Punakaiki Productions. This is a unique, highly readable resource for anyone interested in this dynamic part of the tourism industry.
The impacts of film tourism on destinations.
This book is an extremely useful tool for VisitBritain to identify the global importance of film tourism and the impact on other destinations and attractions. It is essential reading for anyone in the tourism industry who wants to use film tourism as a 'hook' and I would certainly recommend it to any destination marketeers. Overall, the book has made a key contribution in the detailed investigation of film location tourists' experiences. The film tourist experience has not received much attention, and generally not the specific and purposeful ones presented in the book.
Convert currency. Add to Basket. Condition: New. Language: English. Brand new Book.
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Seller Inventory STX. Countries and regions that attract high-quality movie and television productions can benefit from related growth in tourism, as shown by the impact of the Harry Potter and The Lord of the Rings series on locations in the UK and New Zealand, respectively, Webb said. She added, "GoT has transformed Northern Ireland into a leading international screen tourism destination, attracting many more visitors and fans of the show to explore the stunning landscapes, coastlines and mountains showcased in the series.
Last year, one in six tourists from outside Northern Ireland was attracted to the region by the success of Game of Thrones, boosting the local economy by more than 50 million pounds. The Belfast Telegraph reported that new research by e-commerce company Criteo showed that the "Game of Thrones effect" has seen tourism bookings double at some filming locations in Northern Ireland. Strangford, a village in County Down with a population of which lies near to Castle Ward, the location for many of the Winterfell scenes in Game of Thrones, reported a percent rise in tourist bookings early this year, the research found.
The Role of the Picturesque in Geotourism and Iconic Geotourist Landscapes
The direct advantage of the bulk of the show being produced in Northern Ireland is that it has employed large numbers of local crew members, with almost everyone in the filming locations having some kind of link to the series. Williams, from Northern Ireland Screen, said, "If you talk to any extended family group in Northern Ireland, they will have some sort of connection. Somebody else is involved in providing facilities. Someone is a driver, someone is able to tell you a story about the cast coming into a local pub or restaurant.
The Experiences of Film Location Tourists · Stefan Roesch · Könyv · Moly
In addition to Northern Ireland, the show has been filmed in a wide range of other locations, including Croatia, Spain, Iceland and Morocco. According to the Croatian National Tourist Board, the city of Dubrovnik has seen rising numbers of tourists, particularly from China, after being used as the location for King's Landing in the show.
Several scenes were shot at the Walls of Dubrovnik and at Fort Lovrijenac.
Early winter rolls in at the Great Wall in North China.